Back in October, when the Metropolitan Museum of Art announced that the forthcoming Costume Institute exhibition would examine and celebrate the Black dandy, a few images began to crystalize in my mind: a family photo taken at my great-uncle Charles's wedding to Aunt Nan, the fine tailoring of his tuxedo discernible even in a 1950s-era black and white picture; my father on the way to work in the '90s, wearing a tailored Armani suit and carrying a black leather briefcase; the sea of impeccably dressed Morehouse Men at my brother's college graduation.
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